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“Vivid and elliptical... If you've ever asked yourself what would have happened if Philip Marlowe had been Odysseus... here is a clue to the answer.” —NEW WORLDS THE HUGO AWARD-WINNING FIRST NOVEL EVER WRITTEN BY THE BESTSELLING AUTHOR OF THE CHRONICLES OF AMBER! Conrad Nomikos has a long, rich personal history that he'd rather not talk about. And, as Arts Commissioner, he's been given a job he'd rather not do. Escorting an alien grandee on a guided tour of the shattered remains of Earth is not something he relishes-especially when it is apparent that this places him at the center of high-level intrigue that has some bearing on the future of Earth itself! "Roger Zelazny [was] the compleat New Wave author, so daring he could pen nothing without perturbing some creaky icon... so strong a writer, so moving in the sweep of his plots and imagery."—David Brin
Zakup książki
This Immortal, Roger Zelazny
- Język
- Rok wydania
- 1968
- Oprawa
- (miękka)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- This Immortal
- Język
- angielski
- Autorzy
- Roger Zelazny
- Wydawca
- Panther
- Rok wydania
- 1968
- Oprawa
- miękka
- Seria
- Pierwsze wydanie
- 1965
- Oryginalna nazwa
- This Immortal
- Ocena
- 3,95 z 5
- Opis
- “Vivid and elliptical... If you've ever asked yourself what would have happened if Philip Marlowe had been Odysseus... here is a clue to the answer.” —NEW WORLDS THE HUGO AWARD-WINNING FIRST NOVEL EVER WRITTEN BY THE BESTSELLING AUTHOR OF THE CHRONICLES OF AMBER! Conrad Nomikos has a long, rich personal history that he'd rather not talk about. And, as Arts Commissioner, he's been given a job he'd rather not do. Escorting an alien grandee on a guided tour of the shattered remains of Earth is not something he relishes-especially when it is apparent that this places him at the center of high-level intrigue that has some bearing on the future of Earth itself! "Roger Zelazny [was] the compleat New Wave author, so daring he could pen nothing without perturbing some creaky icon... so strong a writer, so moving in the sweep of his plots and imagery."—David Brin








