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After the Plague

Ocena książki

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  • 303 strony
  • 11 godzin czytania

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'Gulp it down; it beats getting drunk.' - Salman Rushdie on WATER MUSIC 'If Dickens were alive today he would be writing this sort of book.' - Rosie Boycott, Books of the Year, The Times, on TORTILLA CURTAIN'establishes Boyle as the equal of Robertson Davies and John Irving. You only hope the Coen Brothers get the film rights, so that this most thrillingly visual of American storytellers is given the movie he deserves' Guardian on RIVEN ROCK 'surreal, daring and compassionate. Easily one of the best books of this year' Daily Mail on A FRIEND OF THE EARTH Maverick, unpredictable and accomplished, T.C. Boyle has been called the 'trickster of American letters'. AFTER THE PLAGUE is his latest collection of short stories - here are tales that superbly veer from the psychological to the slapstick, from surrealism to satire, once again proving him to be one of America's most formidable writers

Zakup książki

After the Plague, Tom Coraghessan Boyle

Język
Rok wydania
2002
Oprawa
(miękka),
Stan książki
Dobry
Cena
12,30 zł

Metody płatności

3,6
Bardzo dobra
45 Ocena

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Tytuł
After the Plague
Język
angielski
Rok wydania
2002
Oprawa
miękka
Liczba stron
303
ISBN10
0747559740
ISBN13
9780747559740
Seria
Ocena
3,55 z 5
Opis
'Gulp it down; it beats getting drunk.' - Salman Rushdie on WATER MUSIC 'If Dickens were alive today he would be writing this sort of book.' - Rosie Boycott, Books of the Year, The Times, on TORTILLA CURTAIN'establishes Boyle as the equal of Robertson Davies and John Irving. You only hope the Coen Brothers get the film rights, so that this most thrillingly visual of American storytellers is given the movie he deserves' Guardian on RIVEN ROCK 'surreal, daring and compassionate. Easily one of the best books of this year' Daily Mail on A FRIEND OF THE EARTH Maverick, unpredictable and accomplished, T.C. Boyle has been called the 'trickster of American letters'. AFTER THE PLAGUE is his latest collection of short stories - here are tales that superbly veer from the psychological to the slapstick, from surrealism to satire, once again proving him to be one of America's most formidable writers