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The Operas of Verdi

From Oberto to Rigoletto

Ocena książki

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  • 524 strony
  • 19 godzin czytania

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The three volumes of studies on Verdi's operas by Julian Budden are considered classics due to their comprehensive information on the operas' genesis, circumstances, and specifics, offering the most detailed descriptions available. Budden also provides a wealth of context about the composer, his life, and his era, all conveyed in accessible prose that situates each work within its historical backdrop. His extensive knowledge of 19th-century opera in Italy and France allows for insightful comparisons between Verdi and contemporaries like Donizetti and Meyerbeer. Budden explores Verdi's evolution from his early, uneven works to his later masterpieces, acknowledging both his strengths and weaknesses without resorting to hagiography. This balanced perspective highlights how Verdi both conformed to and distinguished himself from his musical environment. Additionally, these studies serve as a valuable resource for learning about lesser-known composers of the time. Budden enhances his scholarship with numerous musical examples, contributing to a work of the highest academic quality.

Wydanie

Zakup książki

The Operas of Verdi, Julian Budden

Język
Rok wydania
1973
Oprawa
(twarda)
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Metody płatności

4,7
Doskonała
32 Ocena

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Tytuł
The Operas of Verdi
Podtytuł
From Oberto to Rigoletto
Język
angielski
Wydawca
Cassell
Rok wydania
1973
Oprawa
twarda
Liczba stron
524
ISBN10
0304937568
ISBN13
9780304937561
Ocena
4,7 z 5
Opis
The three volumes of studies on Verdi's operas by Julian Budden are considered classics due to their comprehensive information on the operas' genesis, circumstances, and specifics, offering the most detailed descriptions available. Budden also provides a wealth of context about the composer, his life, and his era, all conveyed in accessible prose that situates each work within its historical backdrop. His extensive knowledge of 19th-century opera in Italy and France allows for insightful comparisons between Verdi and contemporaries like Donizetti and Meyerbeer. Budden explores Verdi's evolution from his early, uneven works to his later masterpieces, acknowledging both his strengths and weaknesses without resorting to hagiography. This balanced perspective highlights how Verdi both conformed to and distinguished himself from his musical environment. Additionally, these studies serve as a valuable resource for learning about lesser-known composers of the time. Budden enhances his scholarship with numerous musical examples, contributing to a work of the highest academic quality.