Więcej o książce
Landscape is probably the most popular type of painting, but anyone who has ever been disappointed by vacation photographs knows how difficult it is to turn a view into a picture. This book shows how artists in past centuries translated outdoor space and light into paint, and how landscape imagery evolved from mere ornament into a visual metaphor of the human condition. The story is told from its beginnings in Roman mural decoration, through the Renaissance transformation of landscape into a vehicle for feelings and ideas, to the Impressionist revolution and beyond. The continuing relevance of art to how we see the world, and our place in it, is demonstrated through a practical discussion of optics of real and painted landscape, illustrated with works from the National Gallery, London. Published by National Gallery, London/Distributed by Yale University Press
Zakup książki
A Closer Look: Landscape, Erika Langmuir
- Język
- Rok wydania
- 2018
- Oprawa
- (miękka),
- Stan książki
- Bardzo dobry
- Cena
- 24,83 zł
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- A Closer Look: Landscape
- Język
- angielski
- Autorzy
- Erika Langmuir
- Wydawca
- National Gallery Company Ltd
- Rok wydania
- 2018
- Oprawa
- miękka
- Liczba stron
- 96
- ISBN10
- 1857096274
- ISBN13
- 9781857096279
- Seria
- Kategorie
- Tagi
- Podróże, Sztuki piękne
- Ocena
- 4,75 z 5
- Opis
- Landscape is probably the most popular type of painting, but anyone who has ever been disappointed by vacation photographs knows how difficult it is to turn a view into a picture. This book shows how artists in past centuries translated outdoor space and light into paint, and how landscape imagery evolved from mere ornament into a visual metaphor of the human condition. The story is told from its beginnings in Roman mural decoration, through the Renaissance transformation of landscape into a vehicle for feelings and ideas, to the Impressionist revolution and beyond. The continuing relevance of art to how we see the world, and our place in it, is demonstrated through a practical discussion of optics of real and painted landscape, illustrated with works from the National Gallery, London. Published by National Gallery, London/Distributed by Yale University Press




