Bookbot

The Perfect Wagnerite

A Commentary on the Niblung's Ring

Ocena książki

Parametry

  • 84 strony
  • 3 godziny czytania

Więcej o książce

As a commentator on music and music critics, Bernard Shaw was experienced and knowledgeable, strongly opinionated, and, as in all his writing, unsurpassed for brilliance and wit. The reader will find that this commentary on the cycle of four Wagner operas known as "The Ring" contains all these characteristics: it is enlightening and provocative, and it makes very entertaining reading. Shaw was firm Wagner partisan, and in the book he enthusiastically endorses the operas and Wagner's music in general. Particularly interested in the philosophic and social ideology behind the Ring operas, he also discusses Wagner's life, the character of music drama as opposed to grand opera, the role of the Leitmotif in unifying the cycle and delineating character, the character of Siegfried, and many other related questions. As with all of Shaw's work, even if the reader disagrees with much of it, he will still find the analysis full of stimulating ideas and valuable insights, and written throughout with rare liveliness and wit.

Zakup książki

The Perfect Wagnerite, Bernard Shaw

Język
Rok wydania
2006
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,7
Doskonała
3 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
The Perfect Wagnerite
Podtytuł
A Commentary on the Niblung's Ring
Język
angielski
Rok wydania
2006
Oprawa
miękka
Liczba stron
84
ISBN10
1406805297
ISBN13
9781406805291
Seria
Oryginalna nazwa
The perfect Wagnerite
Ocena
4,65 z 5
Opis
As a commentator on music and music critics, Bernard Shaw was experienced and knowledgeable, strongly opinionated, and, as in all his writing, unsurpassed for brilliance and wit. The reader will find that this commentary on the cycle of four Wagner operas known as "The Ring" contains all these characteristics: it is enlightening and provocative, and it makes very entertaining reading. Shaw was firm Wagner partisan, and in the book he enthusiastically endorses the operas and Wagner's music in general. Particularly interested in the philosophic and social ideology behind the Ring operas, he also discusses Wagner's life, the character of music drama as opposed to grand opera, the role of the Leitmotif in unifying the cycle and delineating character, the character of Siegfried, and many other related questions. As with all of Shaw's work, even if the reader disagrees with much of it, he will still find the analysis full of stimulating ideas and valuable insights, and written throughout with rare liveliness and wit.