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Byzantine And Romanesque Architecture

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  • 458 stron
  • 17 godzin czytania

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The exploration of Romanesque architecture in Germany begins with Charlemagne, marking a significant period as no structures predate his reign, aside from those left by the ancient Romans. Charlemagne was a notable builder, as recorded by his biographer Eginhardt, who notes his efforts to repair churches across his realm, although details are scarce. Two key constructions are highlighted: the basilica at Aquisgranum and a wooden bridge over the Rhine at Mainz. The basilica, intended as Charlemagne's tomb, was adorned with gold, silver, and bronze, reflecting his Christian devotion. Eginhardt describes the church's grandeur, emphasizing its foreign influences, particularly from Ravenna and Rome, as Charlemagne imported columns and marbles for its construction. This building, with its striking resemblance to the church of S. Vitale, showcases the originality of its builders, who were not merely imitating but innovating within the architectural style. The basilica features a dome over an octagon and a two-storey aisle, demonstrating a blend of imported ideas and local craftsmanship, indicative of the architectural evolution in the region during this era.

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Byzantine And Romanesque Architecture, Thomas Graham Jackson

Język
Rok wydania
2022
Oprawa
(miękka)
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Tytuł
Byzantine And Romanesque Architecture
Język
angielski
Rok wydania
2022
Oprawa
miękka
Liczba stron
458
ISBN13
9781017108941
Seria
Opis
The exploration of Romanesque architecture in Germany begins with Charlemagne, marking a significant period as no structures predate his reign, aside from those left by the ancient Romans. Charlemagne was a notable builder, as recorded by his biographer Eginhardt, who notes his efforts to repair churches across his realm, although details are scarce. Two key constructions are highlighted: the basilica at Aquisgranum and a wooden bridge over the Rhine at Mainz. The basilica, intended as Charlemagne's tomb, was adorned with gold, silver, and bronze, reflecting his Christian devotion. Eginhardt describes the church's grandeur, emphasizing its foreign influences, particularly from Ravenna and Rome, as Charlemagne imported columns and marbles for its construction. This building, with its striking resemblance to the church of S. Vitale, showcases the originality of its builders, who were not merely imitating but innovating within the architectural style. The basilica features a dome over an octagon and a two-storey aisle, demonstrating a blend of imported ideas and local craftsmanship, indicative of the architectural evolution in the region during this era.