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Beauty

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"Beauty can be consoling, disturbing, sacred, profane," writes Roger Scruton, who delves into this timeless concept in a beautifully crafted text. He explores what makes an object—whether in art, nature, or the human form—beautiful. This compact volume is rich with insights, offering original thoughts on nearly every page. Scruton raises questions about dangerous, corrupting, and immoral beauties, citing the prose of Flaubert, the imagery of Baudelaire, and the harmonies of Wagner, all of which have faced accusations of immorality for their alluring depictions of wickedness. He compares the beauty of a classical temple to that of a concrete office block and a Rembrandt to an Andy Warhol Campbell Soup Can, pondering whether certain artworks can ravish when they should disturb. While debates about beauty abound, Scruton asserts that beauty is a real and universal value, rooted in our rational nature, and plays a crucial role in shaping the human experience. This forthright and thought-provoking meditation on beauty is both accessible and stimulating, drawing conclusions that may be controversial but ultimately guide us toward a deeper appreciation of the beautiful objects in our lives.

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Beauty, Roger Scruton

Język
Rok wydania
2009
Oprawa
(twarda)
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Metody płatności

4,1
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1279 Ocena

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Tytuł
Beauty
Język
angielski
Rok wydania
2009
Oprawa
twarda
Liczba stron
223
ISBN10
019955952X
ISBN13
9780199559527
Seria
Oryginalna nazwa
Beauty
Ocena
4,05 z 5
Opis
"Beauty can be consoling, disturbing, sacred, profane," writes Roger Scruton, who delves into this timeless concept in a beautifully crafted text. He explores what makes an object—whether in art, nature, or the human form—beautiful. This compact volume is rich with insights, offering original thoughts on nearly every page. Scruton raises questions about dangerous, corrupting, and immoral beauties, citing the prose of Flaubert, the imagery of Baudelaire, and the harmonies of Wagner, all of which have faced accusations of immorality for their alluring depictions of wickedness. He compares the beauty of a classical temple to that of a concrete office block and a Rembrandt to an Andy Warhol Campbell Soup Can, pondering whether certain artworks can ravish when they should disturb. While debates about beauty abound, Scruton asserts that beauty is a real and universal value, rooted in our rational nature, and plays a crucial role in shaping the human experience. This forthright and thought-provoking meditation on beauty is both accessible and stimulating, drawing conclusions that may be controversial but ultimately guide us toward a deeper appreciation of the beautiful objects in our lives.