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Edvard Munch und das Unheimliche

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  • 304 strony
  • 11 godzin czytania

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Under the title "Edvard Munch and the Uncanny," this volume gathers over 200 works by Edvard Munch, James Ensor, Francisco de Goya, Arnold Böcklin, Franz von Stuck, Gustave Moreau, Egon Schiele, and other artists from the 19th and early 20th centuries. It explores themes of the subconscious, dreams and nightmares, ghosts, and visions, inviting readers to delve into the question: What is the uncanny in art? Beginning with Johann Heinrich Füssli and Francisco de Goya around 1800, the portrayal of the uncanny and the inexplicable became an obsession for artists across Europe. This development culminates in Edvard Munch's expressive images from the 1890s. The volume focuses on French, Belgian, and German symbolism, as well as early traces of psychological insights in the works of Munch, Ensor, Schiele, Alfred Kubin, and other turn-of-the-century artists. It also features paintings, drawings, and graphics by Odilon Redon, Max Klinger, Otto Modersohn, Fernand Khnopff, Victor Hugo, and Franz von Stuck, alongside works by lesser-known artists like Charles Meryon and Alberto Martini, inviting rediscovery.

Zakup książki

Edvard Munch und das Unheimliche, Edvard Munch

Język
Rok wydania
2009
Oprawa
(miękka)
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Tytuł
Edvard Munch und das Unheimliche
Język
angielski, niemiecki
Rok wydania
2009
Oprawa
miękka
Liczba stron
304
ISBN10
3850333655
ISBN13
9783850333658
Seria
Tagi
Ocena
4,35 z 5
Opis
Under the title "Edvard Munch and the Uncanny," this volume gathers over 200 works by Edvard Munch, James Ensor, Francisco de Goya, Arnold Böcklin, Franz von Stuck, Gustave Moreau, Egon Schiele, and other artists from the 19th and early 20th centuries. It explores themes of the subconscious, dreams and nightmares, ghosts, and visions, inviting readers to delve into the question: What is the uncanny in art? Beginning with Johann Heinrich Füssli and Francisco de Goya around 1800, the portrayal of the uncanny and the inexplicable became an obsession for artists across Europe. This development culminates in Edvard Munch's expressive images from the 1890s. The volume focuses on French, Belgian, and German symbolism, as well as early traces of psychological insights in the works of Munch, Ensor, Schiele, Alfred Kubin, and other turn-of-the-century artists. It also features paintings, drawings, and graphics by Odilon Redon, Max Klinger, Otto Modersohn, Fernand Khnopff, Victor Hugo, and Franz von Stuck, alongside works by lesser-known artists like Charles Meryon and Alberto Martini, inviting rediscovery.