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The Paintings of Thomas Gainsborough

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  • 198 stron
  • 7 godzin czytania

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This is the first introduction to the art and life of Thomas Gainsborough to appear for many years. Gainsborough has long been an attractive and popular figure in the history of English art, but this book shows that he was more than the well-known painter of The Blue Boy and the perennial rival to Joshua Reynolds. His role as a prototype for the modern idea of "the artist as Romantic" is discussed, while his deep knowledge of the art of the past is revealed to demonstrate his eclectic yet individual reworking of older styles. An introduction and seventy-five carefully selected paintings and drawings explain Gainsborough's life and art and his important role in the development of an independent English school. Both text and illustrations provide a unique up-to-date and perceptive survey that will be of interest to the scholar and general reader alike.

Wydanie

Zakup książki

The Paintings of Thomas Gainsborough, Malcolm Cormack

Język
Rok wydania
1992
Oprawa
(twarda)
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Tytuł
The Paintings of Thomas Gainsborough
Język
angielski
Rok wydania
1992
Oprawa
twarda
Liczba stron
198
ISBN10
0521382416
ISBN13
9780521382410
Seria
Ocena
5 z 5
Opis
This is the first introduction to the art and life of Thomas Gainsborough to appear for many years. Gainsborough has long been an attractive and popular figure in the history of English art, but this book shows that he was more than the well-known painter of The Blue Boy and the perennial rival to Joshua Reynolds. His role as a prototype for the modern idea of "the artist as Romantic" is discussed, while his deep knowledge of the art of the past is revealed to demonstrate his eclectic yet individual reworking of older styles. An introduction and seventy-five carefully selected paintings and drawings explain Gainsborough's life and art and his important role in the development of an independent English school. Both text and illustrations provide a unique up-to-date and perceptive survey that will be of interest to the scholar and general reader alike.