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Les millors obres de la literatura universal segle xx - 4: Pornografia

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  • 200 stron
  • 7 godzin czytania

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Gombrowicz's strange, bracing final novel probes the divide between young and old while providing a grotesque evocation of obsession. While recuperating from wartime Warsaw in the Polish countryside, the unnamed narrator and his friend, Fryderyk, attempt to force amour between two local youths, Karol and Henia, as a kind of a lewd entertainment. They become increasingly frustrated as they discover that the two have no interest in one another, and the games are momentarily stopped by a local murder and a directive to assassinate a rogue member of the Polish resistance. Gombrowicz connects these threads magnificently in a tense climax that imbues his novel with a deep sense of the absurd and multiplies its complexity. Gombrowicz is a relentless psychoanalyzer and a consummate stylist; his prose is precise and forceful, and the narrator's strained attempts to elucidate why he takes such pleasure at soiling youth creepily evoke authentic pride and disgust. Borchardt's translation (the first into English from the original Polish) is a model of consistency, maintaining a manic tone as it navigates between lengthy, comma-spliced sentences and sharp, declarative thrusts. - Publishers Weekly

Zakup książki

Les millors obres de la literatura universal segle xx - 4: Pornografia, Dorota Szmidt, Witold Gombrowicz

Język
Rok wydania
1990
Oprawa
(miękka)
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Metody płatności

3,8
Bardzo dobra
65 Ocena

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Tytuł
Les millors obres de la literatura universal segle xx - 4: Pornografia
Język
kataloński
Rok wydania
1990
Oprawa
miękka
Liczba stron
200
ISBN10
8429724486
ISBN13
9788429724486
Seria
Kategorie
Pierwsze wydanie
1960
Oryginalna nazwa
Pornografia
Ocena
3,75 z 5
Opis
Gombrowicz's strange, bracing final novel probes the divide between young and old while providing a grotesque evocation of obsession. While recuperating from wartime Warsaw in the Polish countryside, the unnamed narrator and his friend, Fryderyk, attempt to force amour between two local youths, Karol and Henia, as a kind of a lewd entertainment. They become increasingly frustrated as they discover that the two have no interest in one another, and the games are momentarily stopped by a local murder and a directive to assassinate a rogue member of the Polish resistance. Gombrowicz connects these threads magnificently in a tense climax that imbues his novel with a deep sense of the absurd and multiplies its complexity. Gombrowicz is a relentless psychoanalyzer and a consummate stylist; his prose is precise and forceful, and the narrator's strained attempts to elucidate why he takes such pleasure at soiling youth creepily evoke authentic pride and disgust. Borchardt's translation (the first into English from the original Polish) is a model of consistency, maintaining a manic tone as it navigates between lengthy, comma-spliced sentences and sharp, declarative thrusts. - Publishers Weekly