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Andy Warhol and the Can That Sold the World

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From the Publisher: In the summer of 1962, Andy Warhol unveiled 32 Soup Cans in his first solo exhibition at the Ferus Gallery in Los Angeles-and sent the art world reeling. The responses ran from incredulity to outrage; the poet Taylor Mead described the exhibition as "a brilliant slap in the face to America." The exhibition put Warhol on the map-and transformed American culture forever. Almost single-handedly, Warhol collapsed the centuries-old distinction between "high" and "low" culture, and created a new and radically modern aesthetic. In Andy Warhol and the Can that Sold the World, the dazzlingly versatile critic Gary Indiana tells the story of the genesis and impact of this iconic work of art. With energy, wit, and tremendous perspicacity, Indiana recovers the exhilaration and controversy of the Pop Art Revolution and the brilliant, tormented, and profoundly narcissistic figure at its vanguard.

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Andy Warhol and the Can That Sold the World, Gary Indiana

Język
Rok wydania
2010
Oprawa
(twarda)
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3,2
Dobra
94 Ocena

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Tytuł
Andy Warhol and the Can That Sold the World
Język
angielski
Rok wydania
2010
Oprawa
twarda
ISBN10
0465002331
ISBN13
9780465002337
Seria
Tagi
Sztuka
Ocena
3,2 z 5
Opis
From the Publisher: In the summer of 1962, Andy Warhol unveiled 32 Soup Cans in his first solo exhibition at the Ferus Gallery in Los Angeles-and sent the art world reeling. The responses ran from incredulity to outrage; the poet Taylor Mead described the exhibition as "a brilliant slap in the face to America." The exhibition put Warhol on the map-and transformed American culture forever. Almost single-handedly, Warhol collapsed the centuries-old distinction between "high" and "low" culture, and created a new and radically modern aesthetic. In Andy Warhol and the Can that Sold the World, the dazzlingly versatile critic Gary Indiana tells the story of the genesis and impact of this iconic work of art. With energy, wit, and tremendous perspicacity, Indiana recovers the exhilaration and controversy of the Pop Art Revolution and the brilliant, tormented, and profoundly narcissistic figure at its vanguard.