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The Red Hourglass

Lives of the Predators

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  • 259 stron
  • 10 godzin czytania

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Snake venom that digests human flesh, a building cleared of life by tiny spiders, and an infant insect consuming its prey from within are just a few examples of the deadly natural engineering explored in this masterful, poetic, and often humorously dry examination of predators encountered in rural Oklahoma. The author serves as a witty and intrepid guide through a world where mating can lead to cannibalism and where lethal toxins challenge our notions of a benevolent God. Spider remains scattered like "the cast-off coats of untidy children" tell a story of violent self-extermination, revealing a familiar yet exotic world. Grice immerses himself in this realm, abandoning objectivity with dark humor—collecting spiders, decorating a tarantula's terrarium, or orchestrating insect battles, deeming one "too stupid to live." Through starkly graceful essays, he charts the brutal lives of these predators, leading us to startling truths about our own predatory nature. The narrative confronts the inadequacy of our distinctions between normal and abnormal, dead and alive, innocent and evil, ultimately bringing us face to fanged face with the complexities of existence.

Wydanie

Zakup książki

The Red Hourglass, Gordon Grice, Will Self

Język
Rok wydania
1998
Oprawa
(twarda)
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Metody płatności

4,0
Bardzo dobra
40 Ocena

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Tytuł
The Red Hourglass
Podtytuł
Lives of the Predators
Język
angielski
Wydawca
Delacorte
Rok wydania
1998
Oprawa
twarda
Liczba stron
259
ISBN10
0713992522
ISBN13
9780713992526
Seria
Ocena
4 z 5
Opis
Snake venom that digests human flesh, a building cleared of life by tiny spiders, and an infant insect consuming its prey from within are just a few examples of the deadly natural engineering explored in this masterful, poetic, and often humorously dry examination of predators encountered in rural Oklahoma. The author serves as a witty and intrepid guide through a world where mating can lead to cannibalism and where lethal toxins challenge our notions of a benevolent God. Spider remains scattered like "the cast-off coats of untidy children" tell a story of violent self-extermination, revealing a familiar yet exotic world. Grice immerses himself in this realm, abandoning objectivity with dark humor—collecting spiders, decorating a tarantula's terrarium, or orchestrating insect battles, deeming one "too stupid to live." Through starkly graceful essays, he charts the brutal lives of these predators, leading us to startling truths about our own predatory nature. The narrative confronts the inadequacy of our distinctions between normal and abnormal, dead and alive, innocent and evil, ultimately bringing us face to fanged face with the complexities of existence.