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Berlin, Summer 2011. Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.
Zakup książki
Ha vuelto, Timur Vermes
- Język
- Rok wydania
- 2014
- Oprawa
- (miękka)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Ha vuelto
- Język
- hiszpański
- Autorzy
- Timur Vermes
- Wydawca
- Seix Barral
- Rok wydania
- 2014
- Oprawa
- miękka
- Liczba stron
- 383
- ISBN10
- 8432224057
- ISBN13
- 9788432224058
- Seria
- Kategorie
- Tagi
- Humor, Literatura niemiecka, Literatura współczesna, Polityka, Niemcy, Berlin, Filmowa adaptacja, Krytyka społeczna, Nazizm, Satyra, Media & Komunikacja medialna, Telewizja, Teraźniejszość, Adolf Hitler, Debiut, Czarny humor, Satyra polityczna, Hiperbola
- Pierwsze wydanie
- 2012
- Oryginalna nazwa
- Er ist wieder da
- Ocena
- 3,45 z 5
- Opis
- Berlin, Summer 2011. Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.