Parametry
- 306 stron
- 11 godzin czytania
Więcej o książce
This fascinating introduction to classical art and architecture is the first book to investigate the way classical buildings are put together as formal structures. It researches the generative rules, the poetics of composition that classical architecture shares with classical music, poetry, and drama, and is enriched by a variety of examples and an extensive analysis of compositional rules. The 205 line drawings make up a discourse of their own, a pictorial text that serves as an introductory theory of composition or basic design aid. Drawing from Vitruvius, the poetics of Aristotle, the theories of classical architecture, music, and poetry since the Renaissance, and the poetics of the Russian formalists, the authors present classical architecture as a coherent system of architectural thinking that is capable of producing a tragic humanistic discourse, a public art with critical, moral, and philosophical meaning.
Zakup książki
Classical Architecture, Alexander Tzonis, Liane Lefaivre
- Język
- Rok wydania
- 1986
- Oprawa
- (miękka)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Classical Architecture
- Podtytuł
- The Poetics of Order
- Język
- angielski
- Autorzy
- Alexander Tzonis, Liane Lefaivre
- Wydawca
- MIT Press
- Rok wydania
- 1986
- Oprawa
- miękka
- Liczba stron
- 306
- ISBN10
- 026270031X
- ISBN13
- 9780262700313
- Seria
- Kategorie
- Tagi
- Biznes, Tematyka psychologiczna, Tematyka filozoficzna, Sztuka, Architektura, USA, Europa, Anglia, Wielka Brytania, Historia sztuki, Historia Europy, Historia USA, Kultura, Rzym, Miasta, Historia architektury, Architektura starożytna
- Ocena
- 3,75 z 5
- Opis
- This fascinating introduction to classical art and architecture is the first book to investigate the way classical buildings are put together as formal structures. It researches the generative rules, the poetics of composition that classical architecture shares with classical music, poetry, and drama, and is enriched by a variety of examples and an extensive analysis of compositional rules. The 205 line drawings make up a discourse of their own, a pictorial text that serves as an introductory theory of composition or basic design aid. Drawing from Vitruvius, the poetics of Aristotle, the theories of classical architecture, music, and poetry since the Renaissance, and the poetics of the Russian formalists, the authors present classical architecture as a coherent system of architectural thinking that is capable of producing a tragic humanistic discourse, a public art with critical, moral, and philosophical meaning.