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  • 56 stron
  • 2 godziny czytania

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The architectural history of the Louvre stretches back to the early 13th century. A comparatively modest royal fortress, it became the royal residence under Francois I, friend and patron of Leonardo da Vinci. Louis XIV turned the Louvre into a splendid castle. Four years after the outbreak of the French Revolution, the Louvre opened its doors to the public. The royal art collections, with constant additions through Napoleon's military campaigns and forays as well as donations, purchases and excavations, today make the Louvre one of the world's richest and finest museums. Candida Höfer, known for her images of deserted public spaces, photographed the empty rooms and galleries of the Louvre on days when it was closed to the public. In her luminous color pictures, the treasures of Western art enter into a silent yet eloquent dialog with the architectural setting, the luxurious or sober decor, the building's past, and its present as a museum.

Zakup książki

Candida Höfer, Henri Loyrette, Marie-Laure Bernadac, Candida Höfer

Język
Rok wydania
2006
Oprawa
(twarda)
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Metody płatności

4,4
Bardzo dobra
5 Ocena

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Tytuł
Candida Höfer
Podtytuł
Louvre
Język
angielski
Rok wydania
2006
Oprawa
twarda
Liczba stron
56
ISBN10
3829602502
ISBN13
9783829602501
Seria
Tagi
Sztuka
Ocena
4,4 z 5
Opis
The architectural history of the Louvre stretches back to the early 13th century. A comparatively modest royal fortress, it became the royal residence under Francois I, friend and patron of Leonardo da Vinci. Louis XIV turned the Louvre into a splendid castle. Four years after the outbreak of the French Revolution, the Louvre opened its doors to the public. The royal art collections, with constant additions through Napoleon's military campaigns and forays as well as donations, purchases and excavations, today make the Louvre one of the world's richest and finest museums. Candida Höfer, known for her images of deserted public spaces, photographed the empty rooms and galleries of the Louvre on days when it was closed to the public. In her luminous color pictures, the treasures of Western art enter into a silent yet eloquent dialog with the architectural setting, the luxurious or sober decor, the building's past, and its present as a museum.