Bookbot

La tecnica del montaggio cinematografico

Ocena książki

Parametry

  • 399 stron
  • 14 godzin czytania

Więcej o książce

Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor s craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered. Reisz and Millar s account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work. * New foreword and a new afterword * New layout features wider trim for easier readability and more ideal figure placement, while sidebars and tips call-outs provide quick-access to key concepts and ideas * Enhanced version and at a lower price

Zakup książki

La tecnica del montaggio cinematografico, Gavin Millar, Karel Reisz

Język
Rok wydania
1981
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,0
Bardzo dobra
28 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
La tecnica del montaggio cinematografico
Język
włoski
Wydawca
Genérico
Rok wydania
1981
Oprawa
miękka
Liczba stron
399
ISBN10
8871981146
ISBN13
9788871981147
Ocena
3,95 z 5
Opis
Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor s craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered. Reisz and Millar s account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work. * New foreword and a new afterword * New layout features wider trim for easier readability and more ideal figure placement, while sidebars and tips call-outs provide quick-access to key concepts and ideas * Enhanced version and at a lower price