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Grammars of Creation

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  • 304 strony
  • 11 godzin czytania

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"We have no more beginnings," George Steiner asserts in his most radical work, a profound exploration of creation in Western thought, literature, religion, and history. This volume stands as a magnum opus, reflecting on how we discuss beginnings and the pervasive "coretiredness" of our end-of-the-millennium spirit. Steiner analyzes the evolving grammar surrounding the conclusion of Western art and culture, delving into the driving forces of the human spirit and our perception of Western civilization's waning light. Covering diverse topics such as the Hebrew Bible, the history of science and mathematics, Heidegger's ontology, and Paul Celan's poetry, Steiner questions the twentieth century's impact on our belief in a hopeful future. He acknowledges that while technology and science may have supplanted art and literature as cultural drivers, this shift has come with significant losses. The realms of technology and science alone cannot address profound human inquiries about value, faith, and meaning. Yet, Steiner suggests, it is hard to accept that the Genesis narrative has reached its conclusion. He concludes this masterful collection of reflections with a moving reminder of the perpetual nature of beginnings.

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Grammars of Creation, George Steiner

Język
Rok wydania
2001
Oprawa
(twarda)
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Tytuł
Grammars of Creation
Język
angielski
Rok wydania
2001
Oprawa
twarda
Liczba stron
304
ISBN10
0571206816
ISBN13
9780571206810
Seria
Opis
"We have no more beginnings," George Steiner asserts in his most radical work, a profound exploration of creation in Western thought, literature, religion, and history. This volume stands as a magnum opus, reflecting on how we discuss beginnings and the pervasive "coretiredness" of our end-of-the-millennium spirit. Steiner analyzes the evolving grammar surrounding the conclusion of Western art and culture, delving into the driving forces of the human spirit and our perception of Western civilization's waning light. Covering diverse topics such as the Hebrew Bible, the history of science and mathematics, Heidegger's ontology, and Paul Celan's poetry, Steiner questions the twentieth century's impact on our belief in a hopeful future. He acknowledges that while technology and science may have supplanted art and literature as cultural drivers, this shift has come with significant losses. The realms of technology and science alone cannot address profound human inquiries about value, faith, and meaning. Yet, Steiner suggests, it is hard to accept that the Genesis narrative has reached its conclusion. He concludes this masterful collection of reflections with a moving reminder of the perpetual nature of beginnings.