Bookbot

De avonturen van Augie March

Ocena książki

Parametry

  • 558 stron
  • 20 godzin czytania

Więcej o książce

Augie comes on stage with one of literature’s most famous opening lines. “I am an American, Chicago born, and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted.” It’s the “Call me Ishmael” of mid-20th-century American fiction. (For the record, Bellow was born in Canada.) Or it would be if Ishmael had been more like Tom Jones with a philosophical disposition. With this teeming book Bellow returned a Dickensian richness to the American novel. As he makes his way to a full brimming consciousness of himself, Augie careens himself through numberless occupations, and countless mentors and exemplars, all the while enchanting us with the slapdash American music of his voice.

Zakup książki

De avonturen van Augie March, Saul Bellow

Język
Rok wydania
1979
Oprawa
(miękka),
Stan książki
Uszkodzony
Cena
6,95 zł

Metody płatności

3,9
Bardzo dobra
16533 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
De avonturen van Augie March
Język
holenderski
Wydawca
AGATHON
Rok wydania
1979
Oprawa
miękka
Liczba stron
558
ISBN10
9026957947
ISBN13
9789026957949
Seria
Kategorie
Pierwsze wydanie
1987
Oryginalna nazwa
More Die of Heartbreak
Ocena
3,85 z 5
Opis
Augie comes on stage with one of literature’s most famous opening lines. “I am an American, Chicago born, and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted.” It’s the “Call me Ishmael” of mid-20th-century American fiction. (For the record, Bellow was born in Canada.) Or it would be if Ishmael had been more like Tom Jones with a philosophical disposition. With this teeming book Bellow returned a Dickensian richness to the American novel. As he makes his way to a full brimming consciousness of himself, Augie careens himself through numberless occupations, and countless mentors and exemplars, all the while enchanting us with the slapdash American music of his voice.