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Bare Bones

Conversations on Terror with Stephen King

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In this revealing and varied collection of interviews, Stephen King talks about his life, family, films and in particular about his macabre novels of the unknown that have made him so well known. "My soul must be very black, indeed," observes King, virtuoso of horror fiction, but these 30-odd interviews do not lay bare his soul. They do, however, reveal some interesting things about his insomnia and persistent fears (he hates darkness), his literary sources, work habits (he writes two hours a day, seven days a week) and how his scary novels are linked to his childhood insecurities and feelings of inadequacy. The interviews, conducted by various journalists over the past decade, originally ran in media ranging from Penthouse to the Baltimore Sun. Shrugging off critics who dismiss his work as derivative, King explains his fascination with the horrific and calls himself a good writer, not a great one. His comments on his novels and their movie adaptations are often astute, as when he interprets Carrie as a parable of women's consciousness or pans Stanley Kubrick's frigid direction of The Shining.

Zakup książki

Bare Bones, Tim Underwood, Chuck Miller

Język
Rok wydania
1990
Oprawa
(miękka),
Stan książki
Dobry
Cena
19,42 zł

Metody płatności

3,7
Bardzo dobra
84 Ocena

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Tytuł
Bare Bones
Podtytuł
Conversations on Terror with Stephen King
Język
angielski
Rok wydania
1990
Oprawa
miękka
Liczba stron
288
ISBN10
0450516067
ISBN13
9780450516061
Seria
Ocena
3,7 z 5
Opis
In this revealing and varied collection of interviews, Stephen King talks about his life, family, films and in particular about his macabre novels of the unknown that have made him so well known. "My soul must be very black, indeed," observes King, virtuoso of horror fiction, but these 30-odd interviews do not lay bare his soul. They do, however, reveal some interesting things about his insomnia and persistent fears (he hates darkness), his literary sources, work habits (he writes two hours a day, seven days a week) and how his scary novels are linked to his childhood insecurities and feelings of inadequacy. The interviews, conducted by various journalists over the past decade, originally ran in media ranging from Penthouse to the Baltimore Sun. Shrugging off critics who dismiss his work as derivative, King explains his fascination with the horrific and calls himself a good writer, not a great one. His comments on his novels and their movie adaptations are often astute, as when he interprets Carrie as a parable of women's consciousness or pans Stanley Kubrick's frigid direction of The Shining.