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Philip Sheldon Foner Music in American Life: American Labor Songs of the Nineteenth Century
Philip Sheldon Foner Music in American Life: American Labor Songs of the Nineteenth Century
Philip Sheldon Foner Music in American Life: American Labor Songs of the Nineteenth Century
Philip Sheldon Foner Music in American Life: American Labor Songs of the Nineteenth Century
Philip Sheldon Foner Music in American Life: American Labor Songs of the Nineteenth Century
Philip Sheldon Foner Music in American Life: American Labor Songs of the Nineteenth Century

Music in American Life: American Labor Songs of the Nineteenth Century

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  • 356 stron
  • 13 godzin czytania

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Hailed as a classic in music studies when it was first published in 1977, Early Downhome Blues is a detailed look at traditional country blues artists and their work. Combining musical analysis and cultural history approaches, Titon examines the origins of downhome blues in African American society. He also explores what happened to the art form when the blues were commercially recorded and became part of the larger American culture. From forty-seven musical transcriptions, Titon derives a grammar of early downhome blues melody. His book is enriched with the recollections of blues performers, audience members, and those working in the recording industry. In a new afterword, Titon reflects on the genesis of this book in the blues revival of the 1960s and the politics of tourism in the current revival under way.

Zakup książki

Music in American Life: American Labor Songs of the Nineteenth Century, Philip Sheldon Foner

Język
Rok wydania
1975
Oprawa
(twarda),
Stan książki
Uszkodzony
Cena
6,95 zł

Metody płatności

Nikt jeszcze nie ocenił.Oceń

Tytuł
Music in American Life: American Labor Songs of the Nineteenth Century
Język
angielski
Rok wydania
1975
Oprawa
twarda
Liczba stron
356
ISBN10
0252001877
ISBN13
9780252001871
Seria
Tagi
Tematyka muzyczna, Instrumenty muzyczne
Opis
Hailed as a classic in music studies when it was first published in 1977, Early Downhome Blues is a detailed look at traditional country blues artists and their work. Combining musical analysis and cultural history approaches, Titon examines the origins of downhome blues in African American society. He also explores what happened to the art form when the blues were commercially recorded and became part of the larger American culture. From forty-seven musical transcriptions, Titon derives a grammar of early downhome blues melody. His book is enriched with the recollections of blues performers, audience members, and those working in the recording industry. In a new afterword, Titon reflects on the genesis of this book in the blues revival of the 1960s and the politics of tourism in the current revival under way.