Parametry
- 416 stron
- 15 godzin czytania
Więcej o książce
Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'
Zakup książki
Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung, Lester Bangs
- Język
- Rok wydania
- 2014
- Oprawa
- (miękka),
- Stan książki
- Dobry
- Cena
- 28,33 zł
Metody płatności
Nikt jeszcze nie ocenił.
- Tytuł
- Serpent's Tail Classics: Psychotic Reactions and Carburetor Dung
- Autorzy
- Lester Bangs
- Wydawca
- Profile Books
- Rok wydania
- 2014
- Oprawa
- miękka
- Liczba stron
- 416
- ISBN10
- 1781252777
- ISBN13
- 9781781252772
- Seria
- Kategorie
- Tagi
- Tematy historyczne, Tematyka muzyczna, XX wiek, Dziennikarstwo & Publicystyka, Krytyka, Kultura popularna
- Opis
- Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'


