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Het kan altijd erger

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  • 315 stron
  • 12 godzin czytania

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Vincent Spinetti is an archetypal tortured artist ? a sensitive young writer who falls victim to alienation, parental neglect, poverty, depression, alcoholism, illness, nervous breakdowns, and unrequited love. He is painfully unaware that these torments are due to the secret manipulations of New Renaissance, an experimental organization that is testing the age-old idea that art results from suffering. Since culture is so significantly influenced by music, movies, and television, New Renaissance hopes to improve the mindless mainstream by raising writers who emphasize artistic quality over commerce. As part of its top-secret sub-project, New Renaissance hires reluctant ex-musician Harlan Eiffler to manipulate its most promising prodigy, Vincent. Wickedly antisocial and deeply disgusted by what passes for entertainment in the twenty-first century, Harlan clandestinely pulls the strings so that Vincent remains a true artist. All the while, he poses as Vincent's manager, simultaneously nurturing his prolific career and torturing his soul.

Zakup książki

Het kan altijd erger, Dirk-Jan Arensman, Goebel Joey

Język
Rok wydania
2006
Oprawa
(miękka),
Stan książki
Dobry
Cena
128,99 zł

Metody płatności

4,2
Bardzo dobra
99+ Ocena

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Tytuł
Het kan altijd erger
Język
holenderski
Wydawca
Cossee
Rok wydania
2006
Oprawa
miękka
Liczba stron
315
ISBN10
9059361296
ISBN13
9789059361294
Seria
Kategorie
Oryginalna nazwa
Torture the artist
Ocena
4,2 z 5
Opis
Vincent Spinetti is an archetypal tortured artist ? a sensitive young writer who falls victim to alienation, parental neglect, poverty, depression, alcoholism, illness, nervous breakdowns, and unrequited love. He is painfully unaware that these torments are due to the secret manipulations of New Renaissance, an experimental organization that is testing the age-old idea that art results from suffering. Since culture is so significantly influenced by music, movies, and television, New Renaissance hopes to improve the mindless mainstream by raising writers who emphasize artistic quality over commerce. As part of its top-secret sub-project, New Renaissance hires reluctant ex-musician Harlan Eiffler to manipulate its most promising prodigy, Vincent. Wickedly antisocial and deeply disgusted by what passes for entertainment in the twenty-first century, Harlan clandestinely pulls the strings so that Vincent remains a true artist. All the while, he poses as Vincent's manager, simultaneously nurturing his prolific career and torturing his soul.